When you’re on a national tour playing in new cities every night, you never know what you’re going to get. Here’s a list of the types of venues to expect.

Unfortunately, it’s going to be pretty sour against the G string at 64/27 Hz. So maybe you should just tune the G string a major third below your new B, at 12/5 Hz. Now the G and B strings sound great together, but the G is out of tune against the D string at 16/9 Hz. So maybe D should be a fourth below G… but then the D string will be out of tune against A. If you tune the A based on your new D, then it’ll be out of tune against the low E. And if you tune the low E based on your new A, then it’ll be out of tune against the high E. There’s just no way to win.

With the help of a few super clever musicians, I came up with some ideas to alleviate these latter issues. In this article, I would like to suggest alternative ways of thinking about singing, and how to take practical steps in kicking your insecurities to the curb. Let’s go.

Music grants for schools

Soundfly partners with leading edge music education sites and services to bring you unique tips, tools, and stories to empower and inspire our community to find their sound.

Terrestrial radio can be a powerful medium for promoting your new release. Here are four steps to using your efforts wisely and achieving great air time!

XLR microphones have an analog output, as opposed to the digital output of USB, which means they require a recording interface to record to your computer. But analog outputs can connect to external audio gear like mixers, which allow you to balance the level of multiple microphones when recording live, and utilize pre-amps if necessary to boost the gain at source.

If it’s really, really bad, you might have to worry about some of the comped-together vocal notes being out of tune — in which case, don’t be afraid to break out your favorite pitch-correction software like AutoTune or Melodyne to touch up any shaky notes. Depending on the genre, you may want to run the vocal through pitch-correction software anyway, as it provides a nice presence and sheen commonly found in high-end, radio-ready productions.

Whether they’re pushing the contemporary boundaries of songcraft in Songwriting for Producers or laying out crushing bangers in our brand new The Art of Hip-Hop Production courses, or carving their own path in a custom Headliners Club session, each one of these students created something to be proud of. We hope you enjoy some new music from these incredible Soundfly artists.

Rappers with felonies

Stay focused on bringing gear into your workflow that gives a sense of satisfaction to use. It’s not just about tone. It’s about the connection you have with your equipment!

All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them. 

Now be honest. When you read that title you were flooded with a bit of nostalgia, right? Even if you’ve never really used a cassette to play your music, odds are you have childhood memories of your parents popping in the Twisted Sister Christmas tape or remember wishing your crush would make you a mix tape that held all the best Cure songs

The tritone is a mainstay interval of heavy, dissonant rock riffage. In a most classic example, Black Sabbath’s self-titled song “Black Sabbath” (off the self-titled record, Black Sabbath) hits us with this massively dissonant tritone as soon as the band enters at 0:36, first jumping an octave before descending a gnarly diminished fifth, aiming to invoke the unequivocal power of the devil. The first time features a fast trill on the guitar, with a cleaner example of the interval at 0:47.

In essence, “Mary Had a Little Lamb” is an example of this structure. It’s the same melody again and again, but with different lyrics. Another famous example might be “Blowin’ in the Wind” by Bob Dylan.